
I woke up feeling down and tense today. A sense of frustration and that horrible feeling that it's all pointless. So once I had packed M off to work I decided to watch a film I had taped a few days ago, "Greystoke: The Legend of Tarzan, Lord of the Apes". I remember when this film came out 22 years ago, mainly because I left the cinema with a major crush on the actor Christopher Lambert who plays John Clayton (the character is never referred to as "Tarzan" in the movie). Now, I was 17 at the time, and still coming to terms with my sexuality. It might sound ridiculous, but this was the first time I had ever felt such a strong attraction to anyone. I even had a photo of him on my wall (I wonder what my Mother thought?). I suppose as he wasn't "real" it was safe, but the feelings were real and it was very curious. I went to see the film a further couple of times. It became a mini obsession that lasted a few months. So I was curious to see the film again, as I don't think I have watched it since. Would it still have the same appeal? Well, the answer was yes. Christopher Lambert isn't classically good looking but for me he has something - it's partly those deep set eyes and the way he smiles. There is also the accent (I blame him for my predilection for French men). He plays the character with just the right amount of vulnerablility. It's a relentlessly depressing film - virtually everyone he loves dies. Ralph Richardson is great as his grandfather (who dies) and his real mother and father die soon after he is born and both of his ape "parents" get killed (see, he has a hard time, it makes you want to give the boy a hug). Did I cry? You bet. Did I see why I fell in love with him? Oh, yes. It's that mixture of the quirkily handsome sexiness and the whole sad lonely lost and vulnerable thing. Gets me every time. I love the scene where he gets Andie MacDowall to close her eyes and then mimics a big cat coming up and pouncing on her - it's very sexy. It's probably the best and the most intelligent adaptation of the Tarzan story and the performances of Lambert, Richardson and also Ian Holm lend it weight and credulity. Sigh. I may have to watch it again.

